Built for the stage
Van Looy needed an identity that could live in the same places the company does: on stage equipment, crew shirts, business cards, production passes, and loud event photography. The previous direction did not need more decoration. It needed more weight, more recognition, and a mark that could hold up in busy, low-control environments.
I built the identity around a heavy wordmark, a bright green palette, and a simple stage-like underline that gives the logo a clear physical reference without turning it into an illustration. The system is direct on purpose. Big type, high contrast, limited colours, and enough grit to sit next to scaffolding, lights, smoke, cables, and crowds.
A lot of the work was about making the brand usable, not just good-looking in one layout. I tested how the logo behaved on dark cards, green apparel, small chest prints, embossed production passes, and guideline pages. The final setup keeps the identity tight but flexible enough for the practical mess of event production.
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